Posts tagged ‘artborghi photoblog’
I recently mounted on my D800 a new 70-200mm f/2.8G ED VR II lens. This tele, as expected, provides excellent results. Here are my first tests on quite dull, but distant, subjects (100% crop from full pictures shot in the same conditions with a 50mm f/1.4G and this tele). Colors, contrast and speed are exceptional at every length. Autofocus is ultra silent and ultra fast, as well the stabilizer worked solid with me also with slow times.
The lens weight is still acceptable, although I should try day-long hikes before writing anything about it. With its f/2.8 it’s easy to shoot fast moving objects and situations with poor light conditions (click here to watch).
However, such broad apertures (and, although less, even higher) are not really compatible with D800 still having the infamous left AF issue. Although my camera already went through service at Nikon Switzerland, at f/2.8 the image focused using the the left AF bank, whatever fine AF correction value used, is always blurred.
This is the second lens having such problem with my D800: time to ring Nikon Service Switzerland ? Click on the picture for a bigger version.
The Nikkor 50 mm f 1/4G is a very nice lens, as also reviewers on Nikon USA write … but like every lens it has its limits. Finding them should let you adapt to your lens in difficult situations.
For example, hand-held night shoots mounted on a full frame camera like the D800. Sharpness with optical aberrations at the borders are quite annoying. Click here for a full size zoom/pan version on zoom.it or click on the post picture.4000 and close to f/2 is not excellent as expected, but
At f/1.4 it is of course even worse and all the picture lights suffer distortion (click here to see a convincing full size example).
With night shoots I would recommend to remove the UV filter you possibly forgot mounted, unless you like green ghost fireworks on the picture, click here for a clear example.
So, when similar results pop out, keep your subject just in the middle, go up with the aperture when possible or find somebody to carry your tripod along!
Let’s say you had a wonderful day on the snow, though without too much sunlight. Most colours in your pictures look like 70s’ toilet paper (pale blue, pale green, pale brown and so on). Pity, you could have had so beautiful shape/contrast silhouette with those black trees, people and white snow background.
It is time to open your photo retouch software and pimp your snow day:
– convert to
– choose maximum whites
– enhance the contrast with blacks
– level blacks and whites up
In this way you get real black and white pictures and not boring shadows of grey. Dare with dark blacks and white whites the more you can and let the atmosphere you enjoyed pop out of your art!
It is quite difficult choosing which gear to buy for a new camera. You are used to your old gears and, especially when switching brands, a whole new world has to be explored. First questions you have to answer are:
1) What do I need this new lens for?
2) What do I like to shoot with my camera?
3) How much do I wanna spend?
I previously used a Canon EF 70-300mm f/4-5.6 IS USM and a very nice Canon EF-S 17-55mm f/2.8 IS. The long tele was nothing special and I have seen it often equally compared to the prime lenses. The D800, like many others, requires some field work to be fully appreciated and I wanted to focus on it more than on immediately learning a new lens.70-300mm. The 17-55mm was a precious toy but with the D800 I wanted to give a try to easy
So, what I did was:
1) Scavenging lens data online on Nikon photography blogs, something like Ken Rockwell and Nasim Mansurov and other forums, newsgroups and so on.
2) Avoiding pure technical test websites: boring and not really informative as I like to shoot something more than Siemens stars
3) Looking for ebay and new prices
The knowledge I hopefully gained pushed me to own, order or just dream the following lenses:
[Nikon AF-S 50mm f/1.4G]
Easy, light, small, very fast, no cons if stopped at 2, still ok if you go down to 1.4. I am very happy with it and the kind of dim light pictures I can shoot now I could dream with other lenses for this price.
[Nikon AF-S 70-200mm f/2.8G ED-IF VR II]
Ordered and hopefully soon on my D800. I did not want another average 70-300 like the Canon I had, I could not spend so much money for the wonderful Nikon prime long lenses, I was not convinced by the quality of Sigma 50-500mm or equivalents. I really do not believe wonderful reviews on barrels like the Nikon 28-300mm being as sharp and fast: I stay far, far away from this all-round lenses … it is like when new “family-movies” are announced: you now it will be no good.
[Nikon AF-S 17-35mm F/2.8 IF-ED]
Still dreaming on it. One day I will get this excellent wide angle, I really want to go down to 17mm for landscapes, this time on a Fx camera! If you have one home and you do not use it donate it to me!
[Nikon AF 200mm F/4.0D IF ED MACRO]
Another wild dream. THE macro, as I could see and read around, with a long focus distance to have 1:1 whatever fearful subject you shoot.
[Nikon 135mm f/2 DC]
Many call it the portrait king … maybe one day when I will win the lottery I will finally buy also this one
So, I hope the several hours I spent online might be useful to you too in choosing the lenses you need, if your needs and wishes are similar to mine. Enjoy shooting!
We enjoy shooting smart, off-path pictures at wedding events. Both religious and civil ceremonies, summer and winter occasions, open air and indoor. In addition to the must-shoot situations like bride parade, marriage kiss, bouquet throwing and family panorama, we like fixing those details that make each ceremony unique.
We mainly work with fast fixed lenses or short teles, thus to avoid artificial light support and save the natural beauty of such important day. Digital photo retouch might be still applied to portraits or landscape backgrounds. Not only main ceremonies: we like to document also pre- and after- wedding events.
Give a look to the wedding page of Artborghi and give us some feedback …
When talking about upper class parties, details are mostly relevant. On one side, peculiar dress code makes most of the event. Nevertheless, don’ forget dressing up times: they are the perfect overture to a real glamour party. Click here for the full reportage of the gorgeous Black&White party we joined yesterday night.
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