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White Balance or Automatic White Balance? A delicate state of mind: the Nikon D800 case.

artborghi awb d800

I recently had the duty to shoot overcast-outdoor-mixed-with-tungsten-and-candle-lit-low-light-indoor (quite a nightmare without flash) and I always had the D800 AWB on. I tested Lr on raw files to see how good was my choice. D800 AWB was  doing a very good job … look at the paper in the hand of the girl in the post picture: it was white, not cyan, not yellow.

WB is quite an artistic choice, not a technical one. That said, there are different WB schools out there. Purists go for a fixed daylight WB. Warm-saturation lovers go for a fixed overcast WB. If you do not belong to any of them, you are probably very often satisfied with your AWB and you correct it in raw when needed.

There are many rumours around D800 bad quality AWB and suggestions agree on A2, M1 (or even A3, M2!). It’s a good solution to get better pictures on the LCD … and magenta overcast pictures on the card. So, I would not suggest doing such adjustment.

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