Humans of Paris 3 of 3
French Violin street player with dog, Centre Pompidou
Super stylish French biker, left bank of La Seine
Checkmate, rive Gauche
Trendy guys, Louvre
Do-not-make-him-angry male , canal Saint Martin
Chronicles of Bodensee, Konstanz, Germany
At the first sunny day, lake Constance (Bodensee) gets filled with boats, sails, ferries and people, sailors for a day or for the whole season. I had a very interesting afternoon at the shores of Constance harbor, observing tourists of every nationality getting their moment of happiness on the lake.
The conductor captain
RGB
Queuing with selfie
Modern mermaid
Melting pot
Crossroads
Boat people
Young men and young women
Selfie forever
All pictures shot with Nikon D800 plus VR-II. Click to enjoy them more.
Learn how to pyramide at the Louvre (Paris)
1) Both legs on the cubes (for security reasons) – 2) Fingers or hands to point the pyramid
3) No high-heels, no flip-flops , shoes with good grip welcome.4) Smile please.
5) No restrictions on headgear . 6) Only one arm allowed to pyramide.
7) Men allowed, precedence to women. Pictures shot in front of the Louvre museum Paris on a warm sunset with D800 + 70-200 mm VR-II
Autobahn bridges on the Limmat river: conceptual photography vs romanticism
After my experiences at Photobastei, I was kindly invited to join a group of landscape photographers. We recently met and … how difficult is learning new things! New photography points of views, concept vs subject, series vs single. So, on a 40 km-long bike-tour between Zurich and Baden, along the Limmat river, here is the landscape photography concept I could develop. Waiting for what the other photographers will comment, I publish them online.. for your fun or interest.
Under the motorway bridge 1
Under the motorway bridge 2
Under the motorway bridge 3
Under the motorway bridge 4
Under the motorway bridge 5
Under the motorway bridge 6
Under the motorway bridge 7
Under the motorway bridge 8
The series is based on straight geometrical lines cutting the panorama. From a beneath point of view. In black and white to avoid colours distracting from the geometrical games. Overexposure to stress the bridge geometry.
Click each picture to enjoy concrete scars and their reflections. Click shot with D800 and 16-35 mm f/4
